VoR
Take it or leave it
Looking like the breakout hit from the Deadpool vs Wolverine soundtrack (sorry Madonna)
#44 UK
#57 WW
#118 USA
#44 UK
#57 WW
#118 USA
Pop was rather good too, but I think that one is more divisive.It's very very very good (but not quite as good as I Want You Back, Tearin' Up My Heart or I'll Never Stop which are all TENS).
Name me a better ballad from BSB (apart from Show Me The Meaning Of Feeling Lonely).Ballad wise they were shit.
Upbeat wise pretty good.
BSB were better. But this does slap.
Quit Playin Games was better than that.Name me a better ballad from BSB (apart from Show Me The Meaning Of Feeling Lonely).
Name me a better ballad from BSB (apart from Show Me The Meaning Of Feeling Lonely).
The holy trinity of *NSYNC.I Want You Back, Tearin' Up My Heart or I'll Never Stop which are all TENS
And the latter was a Fun for Europe ONLY release.The holy trinity of *NSYNC.
None of those are Cherion. They'd be well done the pecking order if they had been.They had some good ballads as well. Gone, I Drive Myself Crazy and This I Promise You are all top tier Cherion Studios.
OH DEARBSB > *NSYNC
BSB Ballads > *NSYNC Ballads (Did they have a SINGLE decent one?!)
BSB Uptempos > *NYSNC Uptempos
I have nothing against *NSYNC, they definitely had some max tracks, but Backstreet Boys were superior by pretty much every metric other than ability to launch solo stars.
Best BSB Uptempo: Larger Than Life
Best BSB Ballad: Show Me The Meaning of Being Lonely
Best *NYSNC Uptempo: Probably Bye Bye Bye, but as mentioned, that, It's Gonna Be Me and I Want You Back are all KINDA THE EXACT SAME SONG.
Best *NSYNC Ballad: PASS
Music of My Heart. That and This I Promise You are just Dawson Creek soundtrack bait. Both songs make Goo Goo Dolls' Iris sound like a Muse song in comparsion.What was that one they did with Gloria? I swear whatever that was and This I Promise You are two of the most tune-free tracks of the era. Absolute rubbish.